What makes “good” art?

by | Feb 7, 2021 | 0 comments

“What makes an artwork good? When it adheres to design principles?
If it looks true to life?
Should it turn our worldview upside down?
Must it fill us with emotions?The issue of what makes an artwork good has probably been debated since the first splotch of pigment touched a cave wall.  It is nearly impossible to define what art is, so when we start discussing what makes an artwork impressive or worthy or good, we wade into complicated waters. Ask a group of students whether an individual artwork is good or not and you’re likely to get conflicting answers. Ask them what makes an artwork good or not and you’ll get as many answers as students you question.

Many art theories have emerged to encompass the wide variety of ideas and opinions about what art is and what it should do. The search for one art theory to rule them all may be futile, but there are arguments to be made on all sides, and everyone has a favorite.

Art Theory: Formalism

What Makes Art Good? A Lesson and Explanation of Art Theories
Wassily Kandinsky, Squares with Concentric Circles, 1913

Formalism dictates that art is good when it effectively uses the elements of art and principles of design. A formalist will concentrate solely on how an artwork looks–color, line, shape, and texture. The story being told and any historical or social context behind the artwork has no bearing on whether it is considered successful. The composition is all that matters. While artists have always used the elements and principles of art, formalism really came into being with modern art and the rise of abstract and expressionist works since those pieces put special emphasis on using line, shape, and color to create a pleasing composition.

Art Theory: Imitationalism / Mimetic

What Makes Art Good? A Lesson and Explanation of Art Theories
Johannes Vermeer, The Milkmaid, 1658

The imitationalism or mimetic theory of art claims that artwork is best when it imitates life. We’ve all experienced seeing an artwork from a distance and mistaking it for the real thing, rather than a replica. Those pieces are prized under imitationalism. The most realistic, the better.

In Vermeer’s The Milkmaid, we see the creamy milk pouring from the jug. It’s easy to imagine the splashing sound it makes hitting the bottom of the container. The texture of the baskets and the woman’s clothing look real enough to reach out and touch. The play of light and shadows match what comes through our own windows. We don’t have to make any mental leaps to imagine the scene unfolding right in front of us. Mimetic artworks are instantly recognizable because of their devotion to reality.

Art Theory: Instrumentalism

What Makes Art Good? A Lesson and Explanation of Art Theories
John Heartfield, Have no fear–He’s a Vegetarian, 1936

An instrumentalist is not concerned with composition, only context. Through the lens of instrumentalism, the best artworks are those that convey a message or shape how we see the world. Unlike other art theories, instrumentalism says that art is good when it functions as a tool to influence or change society.

The artwork above no doubt drew a visceral reaction the moment you saw it. Did your eyes flick to the title? Were you trying to figure out what the artist was trying to say? Now imagine that you saw this artwork before World War II. As Hitler rose to power, many saw him as a harmless politician, though some knew otherwise. In this piece, Heartfield was using his art as an instrument, sounding an alarm for anyone who thought Hitler was nothing to fear.

Art Theory: Emotionalism

What Makes Art Good? A Lesson and Explanation of Art Theories
Franz Marc, Fate of the Animals, 1913

The emotionalism theory places emphasis on the expressive qualities of an artwork. The communication between artwork and viewer is crucial. If the art is able to elicit a feeling from the audience, then the artist has created an excellent piece. Emotionalism is unique among art theories because it is not concerned with how an observer is attracted. Varying components of an artwork can captivate different viewers, but it only matters that the artist was able to evoke a mood or idea, regardless of composition, context, or narrative.”

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